Friday, 28 February 2014

On dance... and taking a break




Dear Pole,

We need to talk.

I think it’s pretty obvious that things aren’t great between us; things haven’t been great between us for quite some time now.  I’ve been trying to convince myself for a long time that it’s just a rough patch, that if I just keep working harder then I’ll get through it and things will suddenly become wonderful again.  But I think I need to stop lying to myself.

Pole, you and I used to have something amazing.  When I first met you, I was a nervous and bored young woman who had very little upper body strength and a yearning for something more in my life.  As soon as I met you, I fell head-over-heels in love.  In you, I found confidence, strength, ambition, and beauty of movement that I had never experienced before.  I was driven to improve myself, to learn, and to seek challenges.  Most of all, I had fun.  That first lesson, almost four years ago, when my four girlfriends and I walked into the studio at Parramatta, looked at each other and said, “oh dear lord, what have we got ourselves into?” was the start of a hilarious and joyous love affair.  We puffed our way through Zahra’s warm-up (while thinking that here was clearly one of the coolest chicks in existence), giggled our way through class, which mostly consisted of us just trying to hang on to the poles, and left the studio feeling exhilarated and energetic.  Over the following year we improved rapidly, made new friends, learned new moves, and had a fantastic time along the way.  Different people came and went for their own reasons, but I stayed true to you, believing that here was a passion that would never fade; here was a dream that would define the rest of my life.

I don’t remember exactly when things started to go sour.  It was certainly long after I started competing and performing; I remember the first shows – an equal mixture of terror, hope, and giddy excitement.  I remember my third show, walking off backstage afterwards and whispering to myself “Oh my god, they loved me; I nailed it!!”  I had never felt this sort of wondrous satisfaction before, or indeed, since.  Neither was it when I struggled to move up from Intermediate 3 to Advanced Intro – although that was a long and difficult task.  It wasn’t when I was rejected for showcases and competitions, or when I did less-than-stellar shows, although these were almost certainly contributors.

No, I can’t pinpoint it, but at some point a slow descent began; a slide into a painful place, where instead of pole being a light in my life that radiated joy and satisfaction, it began to become a light that shone on all my faults, and highlighted my own self-doubts.  Of course there had always been dancers at much higher levels than me; there will always be; but I started comparing myself to them in a way that, rather than motivating me to reach higher, only served to magnify how lacking I was in so many ways.  Instead of merely admiring a beautiful slim dancer, I would notice how much fatter I was than her.  Instead of simply marvelling at a dancer’s strength and grace, I would berate myself on my comparative weakness and clumsiness.  And, most of all, when I would hear praise being heaped upon so-and-so because she’s only been dancing for x number of months and yet she’s already in advanced, I would fly into a rage at myself for being so far behind.  If these girls could all become incredible dancers in such a short amount of time, why on earth couldn’t I?  Of course, for a long time I assured myself that every dancer is different, but eventually the negativity overwhelmed me and I became convinced, irrationally, that my differences were due to laziness, to heaviness, to an innate defect of propensity to failure that I could only beat out of myself through hard work and dedication.

Not surprisingly, this worked, for a little while.  Ten+ hours per week of dance is bound to see a leap in strength and skill, at first.  I was ecstatic that I had apparently found the answer, and I was prepared to sacrifice, if not everything, at least many hitherto important aspects of my life in pursuit of the ultimate goal – To Be As Good As The Other Girls.  But as the months wore on, and turned into a year, and then two, my body began to give up.  I’m lucky that I’ve only ever had relatively minor injuries from overuse, and that I’ve (hopefully) not done any permanent damage due to my unachievable and ridiculous schedule of training.

Of course, my predictable response for a long time (and even up until recently) was that I must not be working hard enough.  It didn’t occur to me that the reason I’d plateaued and even gone backwards in some areas was because my body was exhausted.  I piled on more classes, sought out private lessons with many different teachers, and continued to focus on my failings.  I started to cheat myself, and instead of continuing with a move that I was too fatigued to practice, I would simply remove it from my repertoire and hope it never came up again.  The result of this has been disastrous – I’ve ended up in advanced class, as I can technically do the required moves, but my overall skill level is patchy and inconsistent.  Instructors and peers assume that I can dance at an advanced level, but I can’t, and it’s an awful feeling when I see that they realise this.

My final resolution came to me after class tonight, although it’s been building for weeks.  Due to work and other personal commitments, I’ve not been to a class in almost 3 weeks, and I was alarmed to find that I enjoyed the time away from pole immensely.  I arrived at class tonight determined to work harder than ever, and I did.  I powered through the warm-up and stretches, I completed the technique exercises, and I tried my hardest on the combination we were taught.  But at the end of class, our teacher told us that we would each be required to get up in front of the class and perform the combination for assessment.  My heart started pounding and I began to feel physically sick.  I wanted nothing more than to be far away from that class, as I watched all of the other dancers execute the moves, not perfectly, but competently and with no major problems.  All received smiles and a happy little applause from their classmates.  I waited until last, hoping that the teacher would forget to call me.  She didn’t.  Ten other dancers had done this combination competently.  Then there was me.  A dancer of four years, much longer than most (if not all) of my classmates.  I stood up, stumbled my way through half of the combination, was told to do it again, and still couldn’t complete it.  I trudged back to my place and sat down, feeling utterly humiliated.   There was no applause for me, no smiles, and I didn’t deserve them.  I could feel the other dancers looking at me, and I imagined them feeling sorry for me, wondering how I had been dancing for so long and yet still couldn’t do a straightforward combination, and feeling so glad that it wasn’t them.  I half-heartedly practiced a few more moves and then left as soon as the clock ticked over to the end of class.

I cried tonight, not only for my own embarrassment, but because I finally realised what pole dance has become to me.  It’s shifted, slowly but surely, from a positive force in my life to a negative.  It’s become a source of overwhelming stress, rather than stress relief.  It’s no longer something that I look forward to all day, something that I leap into with gusto, something that brings me joy.  I can no longer watch my advanced friends dance without feeling ashamed of myself for not being at the same level.  I can no longer hear praise from friends and strangers without immediately telling myself, “they probably just feel sorry for you; that performance could have been much better”.  Pole is now something that I measure myself against in the most negative way, leaving me feeling inadequate and uncomfortable.  It’s become a weapon of self-harm.

So after many tears, and at 1:30am (though I’ll sleep on it), I’ve come to a decision.  Pole, I need a break from you.  I need to step back and understand truly what it is I want to do with dance.  I want to pursue ballet and lyrical dance further, away from pole, and I want to devote more time to other joys like writing, reading, and music.  I want to spend more time with my long-suffering and ever-supportive boyfriend, who has quietly put up with the drama, the spending, the glitter, and most of all, the absences, for far too long.
I need to heal my body and my mind, and that’s going to take a little bit of time.

I will not say goodbye, pole, because I will come back.  You’re a part of my life, and I never want to remove you from it completely.  I just need to step away for a while, and find my own strength, so that when I come back, you can once again be a light in my life.



Suzie, Amber, Stacey, Bailey, Belle, Pixie, Amarli, Zahra, and many others – thank you for being such inspirational and incredible teachers.  My pole friends, you are all amazing – keep on being so.

Back soon :)



with much love from the lit dancer

artemis xx

Saturday, 12 October 2013

On books... Books that have made me miss pole class, #1

The great thing about being obsessed with both pole dance and books is that the two rarely conflict with each other.  My favourite time and place to read is in bed just before I go to sleep - not really going to clash with pole dance there.  And when I'm about to go to class I'm usually really pumped (or at least generally looking forward to it!) and the idea of sitting down and reading seems faintly ridiculous.

Yesterday was Saturday.  I was planning on doing a catch-up class, but I had an hour to kill beforehand, and I didn't really have anything to do (not anything that would take only an hour, anyway).  I walked into my bedroom and saw a book that I've been reading sitting on the shelf next to my bed.  Now I've been a bit stuck with this book for the last week or so, because it's a very dark psychological thriller - not particularly the kind of book that one should read before bed.  So I thought, hey, it's the middle of the day, what a great opportunity to read some more of it without the likelihood of nightmares.

Big mistake.

My pole class was at 1:30pm.  I would have to leave at 1:15pm at the latest to make it on time.  This is how it went.
12pm: Started reading.  This is great!  I can probably get through a third of this book before I have to go!
12:45pm: Hmm, I should probably start getting ready.  I'll just read the rest of this chapter.
1pm: Crap.  Well, maybe I can just be a bit late.  Just one more chapter.
1:15pm: Maybe I don't need to shower??
1:20pm: Yeah this is not happening.  The book has won.

In case you're interested, I finally finished the book at 2:20pm.  Victory!!  Sort of.

Seriously though, it was an absolutely brilliant book.  It's called In the Blood by Lisa Unger, and the company I work for is publishing it in January.  I'm not a big reader of thrillers, so those that I do read tend to be for work purposes.  I'm so glad I did read this one though - it's very well-crafted, a bit more literary than the average thriller, and has the most brilliant twists.  I will admit that I'm one of those people that try to figure out the ending to a thriller genre book/movie/TV show before the end (sorry to my boyfriend who has had several TV episodes ruined by this), and I'm quite proud to say that after stumbling down a few false paths I did eventually get a few of the twists before they happened.  But just when you think you've got it all worked out, BAM - she hits you with another one.  Fantastic.  Another annoying thing I tend to do is go back over the plot in my mind and try to pick holes in it.  I'm not sorry to say I didn't find any in this.  There were a few slightly loose threads, but personally I think it's a mark of a higher quality of fiction when the author allows a few of these and doesn't insist on neatly wrapping up every single part of the story.  I've seen that done before and it usually interrupts the pace of the ending.
Now, fair warning - the book is very dark.  There are a lot of issues around mental health, which did make for slightly difficult reading for me, but it doesn't demonise people with mental health issues, especially given that the main character has been dealing with them for quite a while.  It also involves children, which always adds an extra level of discomfort, and gender issues, although I thought these were covered really well.

So if you like thrillers or crime books, definitely give this one a go.  If you're more of a literary fiction reader but you're thinking of branching out a little, this also would be worth a try.  It might be the only thriller that I read this year, but damn, it was good.




In the Blood by Lisa Unger will be available from January 2nd.  You can pre-order from Booktopia here, or from Dymocks online (it's not on their site yet but I'll put the link up soon), or check out your local bookshop - support Australian retailers and publishers!



with love from the lit dancer
artemis

Tuesday, 3 September 2013

On dance... the benefits of different teachers

We're halfway through week 2 of term 5 at Suzie Q Pole Studio, and after having a lovely few terms with mostly just one teacher, I've now got two different gorgeous ladies teaching me to defy gravity each week.  Now once you reach a higher level and stay there for quite a while - I've been in pre-advanced for what seems like forever, but is actually more like 2 years - you start to notice differences in the way that different instructors teach different moves.

The best example I can think of is the static V (also known as ayesha):

This move took me a long time to learn, and I'm yet to completely master it with different grips and leg positions.  The funny thing about the static V is that every single teacher I've met does it in a slightly different way, and has different strategies for learning it.  At first I found this mildly frustrating - I remember thinking, "how am I supposed to learn this if everyone has a different technique?"  But the day that I finally held a static V confidently was the result of all of these different techniques, and combining them to find a method that suited my level of strength and body type.

It's the same with dance styles.  Different teachers have different preferred styles; at Suzie Q alone we've got Suzie's polished routines, Belle's strength and grace, Daisy and Amarli's sexy flexiness, Bailey's beautiful contemporary style, Stacey's amazing power (and incredible hotness!), Amber's death-defying, why-worry-about-gravity shows, and more.  Any teacher worth their salt will tell you that even though it's great to master one style, and of course you're always going to have a preferred one (and it can change frequently!), it is incredibly beneficial to step outside your comfort zone.  I took some lyrical pole lessons at Amber's Haus of Pole recently, and having long been taught in a sexy style, having to swap my body rolls and hip circles for sweeping movements and dramatic gestures was a huge shock to the system - it took me right back to the early days of dance, when I could not have felt less co-ordinated.  And yet after a month of lyrical lessons, I found myself incorporating the moves into my freestyle dances, and thinking more about how I held myself in my transitions.

So if you've been with the same teacher for a while, and especially if you're having trouble with a particular move, try mixing it up a bit.  Take all the advice you can get from as many sources as possible, and do what feels right and safe for your body.  It's also worth trying out a new studio from time to time - they'll often have a different style, might teach different moves or techniques, and it's great to practice on different pole sizes and floor types (there's nothing like moving from carpet to wood and back again to make you appreciate different shoe grips!).  And if you're competing or doing shows, knowing that you have the ability to dance on brass or chrome poles big or small, on wooden or carpeted floors, makes a hell of a lot of difference to your confidence.

Now I just have to get used to Stacey's ridiculous cardio warm-ups, and Amber's insistence that we wear heels all the time...!!



with love from the lit dancer
artemis

Tuesday, 20 August 2013

On books... The Boy on the Wooden Box

The funny thing about this whole blog business is it doesn't write posts by itself...!  I've been stupidly busy and/or sick over the last month or so, but I have been reading!  So until I get time to finish writing reviews for the books I've finished recently, here's a review of a very special book I read a few months ago, when I was first given a copy of the manuscript (I work for the publisher).



The Boy on the Wooden Box by Leon Leyson


I’ve been working in publishing for nearly three years now, and I’ve been an avid reader since I worked out how to put those funny squiggles called “letters” into words and sentences.  People often ask me “what’s your favourite book?” which to me is a ridiculous question – it’s like asking what is your favourite memory, your favourite flavour, your favourite star in the sky.  There are too many, and they are too wonderful in different ways to rate on a simple scale of most to least brilliant.

Occasionally, and more frequently now that I work in the publishing industry, I will come across a book that connects with me in a profound and beautiful way.  I treasure these books and these moments, and it’s one of the many reasons why I feel so truly fortunate to work with books and with people who love books.

Rarely, though, I will read a book that leaves me feeling as though I’ve had my breath knocked out of me.  The Boy on the Wooden Box is such a book.  Written for children aged 10-14, it is a brief (133-page) autobiography of Leon Leyson, a Jewish man who grew up in Poland during the rise and fall of the Nazi party.  Along with many other Jews, he suffered horrific treatment at the hands of the Nazis, but unlike many he was fortunate enough to find himself and his family unexpectedly saved by a man named Oskar Schindler – the subject of the book Schindler’s Ark and the subsequent film Schindler’s List.

The details of Leyson’s childhood under the Nazis are absolutely shocking.  Although I have read many stories of families torn apart and lives destroyed during World War II, reading it as told from a child’s point of view is particularly jarring.  Nobody of any age should be made to suffer such inhuman treatment, but hearing it from a child’s mouth just makes it seem even more deplorable. The child narrator’s voice also has the interesting effect of making his saviour, Oskar Schindler, appear in quite a different light – the adult voice of Leyson interjects frequently to explain Oskar’s possible motivations and to elaborate on the many details he learned long after leaving Poland, but the child Leyson, though immeasurably appreciative of Schindler’s kindness, was ever wary of this man, who after all was outwardly a confirmed Nazi.  The child’s voice also brings to the story a sense of plain speaking, of clarity that is at times chilling and discomforting in its honesty, yet makes the story incredibly powerful.

Of course this all begs the question of whether or not this book is indeed appropriate for the target audience of 10-14 year old children.  After all, it describes some of the worst moments in human history; some absolutely traumatic and destructive events.  It is so very tempting to shield children from this, to pick out bits and pieces of the story and to postpone the full truth “until they’re older”.  But I disagree with this for two reasons.  Firstly, that I believe reading is about telling the truth.  And secondly, the overwhelming thought running through my mind as I was reading this book was “I want to make sure this never happens to anyone ever again”.  I honestly believe that my ten-year-old self would have felt the same.  Yes, the story is heavy and violent, but that’s the truth.  And the real message within is one of inspiration, of courage against evil and of protecting life and humanity at any personal cost.  That is a message I want all children to know and to believe in.

On an educational note, there are countless opportunities for class discussions and projects around this book.  The most obvious are research projects on World War II, the Nazi party, Judaism, and conflict around the world today.  There is also potential for interesting discussions about perspective; for example, Leyson mentions in his story that on his journey to America the conditions were what most people would consider less than ideal, but after the horrors of the labour camps he considered them very comfortable.  Apart from being a remarkable, fascinating and haunting story, it is also engaging and thought-provoking for a young audience.

I feel that I could write pages upon pages about how this book made me feel, and yet there seem to be few words that can accurately describe it.  The closest I can get is to say that it reached right into my soul, made me feel sickened and terrified at humanity’s capacity for depravity and hatred, and yet joyfully proud of how brightly the lights of the good people shine in such darkness.  It brought me to tears, filled me with love and inspired me profoundly.  This is an immensely important story and I feel privileged that I have the power to help bring it to my corner of the world.






This book will be available from today (21st August) - please support the Australian book industry and buy at your local bookstore, or if you would like to buy online, please consider an Australian online store such as Dymocks or Booktopia.



with love from the lit dancer
artemis